Tag Archive for 'Horror'

How to Watch: “Nightmare on Elm Street”

Step 1: Nice try, but they probably should have just left the original Nightmare on Elm Street as is.

Step 2: Don’t mess with a classic. When he was first introduced during the ’80s slasher movie boom, Freddy Krueger was the antithesis to the mask-wearing monsters cutting their way through teenager after teenager. As a maniacal, deformed psycho, he actually had a brain and was made even more terrifying by the fact he taunted his victims with a tinge of sadistic humor. And he killed them in their dreams, a scary enough prospect to begin with. So, the set up was refreshing and, played by the sardonically wonderful Robert Englund, Freddy was an iconic villain.

Step 3: Looks good on paper. Now, I’m sure the powers that be thought a redo was a good idea – especially with getting someone as talented as Jackie Earle Hayley to play Freddy. I admit I was intrigued by the idea of Hayley as the striped-sweater wearing monster with knives for fingers – and I didn’t even watch the original. Well, I saw part of it, but never the whole thing. Certainly Hayley IS the best part of this remake, but ultimately, this Elm Street does nothing to improve on the original source material. There is a little more background info on Krueger before he became THE Freddy Krueger, plus a more pinpointed reason to why he’s killing all the teens in Elm Street, but that’s it. The special effects aren’t any more scary or spectacular – and there’s no Johnny Depp getting sucked into a bed (I remember seeing that in the original). I feel the film could have benefited from a Depp cameo.

Level of difficulty in seeing Nightmare on Elm Street: Eh. Seriously, let’s finally be done with all the remakes of ’80s slasher movies, please.

How to “Splice”

Freeeeeeeeeeeaky! Human DNA spliced with animal DNA = not a very good idea. Watch what I mean:

How to Have a “Nightmare”

Who’s excited about the new redo of Nightmare on Elm Street? Here’s the latest full-length trailer to whet your appetite:

How to Watch: “The Wolfman”

Step 1: Re-envision a classic. While this Wolfman redo certainly doesn’t live up to its 1941 predecessor, it serves its purpose – that is, if you like a somewhat dull, Gothic story that only gets exciting once the guy grows hair and big teeth.

Step 2: Let it get hairy. You think Lon Chaney Jr. would have given Benicio Del Toro some credit for taking on the iconic role and giving as much depth to the character as he possibly can? Probably. Del Toro plays Lawrence Talbot, a stage actor living in America, who returns to his ancestral home in England when he learns his brother has gone missing. So, off he goes, returning to discover his father (Anthony Hopkins) has gone slightly looney tunes in his long absence – and that his brother has been found torn apart by some beast. Ah, but then there’s the lovely and bereaved Gwen (Emily Blunt), the brother’s fiance, who implores Lawrence to find out exactly what happened. So, off he goes, into the gypsy camp in the woods, on a night with a full moon, to ask a few questions (because gypsies know all about curses and the such), only to be attacked by some kind of wolf-like animal, and thus scarred for life, if you know what I mean.

Step 3: Rip those body parts. Del Toro really does try his best to aptly convey the proper amount of anguish and complexity to a role that basically boils down to him becoming an angry, overgrown furball, who seriously likes to rip off the limps and heads of most of his victims. Saying this film is gory would be putting it mildly — major amounts of blood and entrails, which is understandable, given the fact we are dealing with wild animals.  As for the other actors, Hopkins seems to be channeling his crazy old man from Legends of the Fall, playing it typically over the top, while The Matrix‘s Hugo Weaving, as a detective from Scotland Yard, has some of the better lines, even if he delivers them very deliberately. I honestly thought at one point he was going to say, “Mr. An-der-son.” And Ms. Blunt also tries hard to add gravitas to the proceedings with her pleading eyes and heaving breasts. She definitely fits the Victorian period to a tee.

Step 4: Howl at the moon. The Wolfman‘s real asset, of course, is in the special effects, which director Joe Johnston (Hildago, Jurassic Park III) uses to its full capacity, and the action, which there isn’t quite enough of. The transformation from man to wolf looks painful, natch – the fingers bending at weird angles, the face contorting. But as I watched this, I couldn’t help thinking about An American Werewolf in London, which in my opinion is still one of the better werewolves movies out there. It’s obvious Johnston feels the same way since he seems to be paying homage to the John Landis’ classic, from the Wolfman’s carnage-filled race through the London streets, to the horrifying dreams Lawrence experiences after he’s been bitten. Sadly, though, The Wolfman is devoid of any sex or pop songs with the word “moon” in them. Unfortunately, The Wolfman doesn’t quite live up to its potential but does provide a few moments of jumps and starts – and a whole lotta blood and guts.

Level of difficulty in watching The Wolfman: Moderately easy. Let’s just say, this isn’t the hunky wolf pack from New Moon, heavens no.

How to Let Out “The Crazies”

This trailer for The Crazies titillates me. I mean, a good zombie movie will get me every time. I just hope this trailer isn’t better than the movie itself. Check it:

How to Watch: “Daybreakers”

Step 1: Give it an A for effort, C for execution. As cool/creepy as it seems, Daybreakers just doesn’t quite measure up to its potential.

Step 2: Put an unique spin on a familiar genre. I mean, a world in which the majority population are now vampires, made that way by some random virus from a German bat bite, has to rank up there for originality, so you have to hand it to the newest writing/directing brothers, Michael and Peter Spierig, for coming up with the idea. To go even further, the vampires have had it good for nine years, ruling the world by night, but now face a severe starvation issue when the supply of humans, and their blood, runs out. And when a vampire starts to starve, it’s not death he gets but a sort of hideous transformation. In other words, the vampires turn into MONSTER vampires. Sweet.

Step 3: Read on for more compelling plot. Corporate bad-guy vampire Bromley (Sam Neill), who runs the major blood supply company, counts on his top hematologist Edward Dalton (Ethan Hawke) to come up with a blood substitute, so vampires can still get nourishment and give the surviving humans – and yes, there are a few – time to repopulate and get back on the food chain. Problem is, Edward misses being human and is not at all pleased to have been turned into a vampire, so his loyalty to the company is sketchy at best. Then he hooks up with a small band of humans, finds out there could be a cure to vampirism and tries to turn things around. Unfortunately, this is when the story starts to fall apart. The Spierig brothers are not able to sustain their imaginative mythology, instead opting for some quick and not-so-believable fixes to the problems. It’s sort of like they ran out of gas. Although, visually, Daybreakers doesn’t necessarily suck. The vampire world is sort of a throwback to the 1940s – and there’s lots of blood and guts. Lots and lots and lots of it, which should be refreshing for those vampire movie lovers who are tired of those silly romances between humans and blood suckers.

Step 4: Actors, take a back seat. The main draw to Daybreakers (or at least the first three-quarters) is the plot, of course, but Hawke as the do-gooder vampire and Neill as the evil are servicable. Willem Dafoe sort of does his over-the-top thing again as a former vampire, now revitalized human, while the rest of the little-known names carry out the movie’s agenda as best they can.

Level of difficulty in watching Daybreakers: Intriguingly easy – at first. Then all those great intentions start to drag down and down …

How to Scare Me: “Paranormal Activity”

paranormalactivityreview1-thumb-300x447-24799I had a feeling I’d add this to my list the minute I saw it, and yes, I saw it today. Whoa nelly, this is about the most frightening movie I’ve seen in a long time. I think Rolling Stones‘ Peter Travers says it best: “A potent frightfest that will fry your nerves and creep you out.” Yeah, he ain’t kidding. And thanks to an excellent viral marketing campaign to get it out there — plus the help of Steven Spielberg — looks like everyone is going to get a chance to see it. It sort of ranks up there with The Exorcist, is WAY better than The Blair Witch Project – and scares the living crap out of you by using little to no special effects.

How? By showing us a very real, normal couple (played by unknowns Katie Featherston and Micah Sloat) who happen to be tormented by some malevolent spirit, mostly in the middle of the night when they are sleeping. Katie believes she’s been haunted by this entity since she was a little girl, so the dubious Micah decides to set up a video camera in their bedroom to see if he can catch any weird “activity.” He gets a whole hell of lot more than he bargained for, that’s for damn sure. Check the trailer:

Again, I reiterate, Paranormal Activity doesn’t do anything more than mess with your psyche in the most basic way: set a single camera in a typical house and watch all the scary stuff – creaky stairs, dark shadows, loud bangs and eventually, contact – happen while the characters are ASLEEP. The one thing we have to do every night. In the dark. We have no choice … well, we have a choice, but what are you going to do? Be up all night with the TV blaring? The no-sleep thing eventually catches up to you. And remember that 3:00 am witching hour phenomenon I mentioned before, from The Exorcism of Emily Rose? Something about that time brings out those demons en masse, apparently. You know, I woke up the other night and smelled something burning. It wasn’t that strong, but that’s suppose to be a sign there are demons nearby. I stopped myself from looking at clock cause I didn’t want to freak myself out completely, but I’d put money down I knew what time it was.

NOW AFTER THIS, HOW THE HELL AM I GOING TO SLEEP? Thanks, writer/director Oren Peli for creating this fffed up horror movie. Thanks a lot (but secretly, well done).

How to Scare Me: “Quarantine”

quarantineWho knew I’d love zombie movies? I mean, granted, I’ve only seen bits and pieces (get it?) of George Romero’s classic 1968 Night of the Living Dead, which started it all, but I’ve grown to really appreciate the genre. The 2004 remake of Dawn of the Dead is pretty damn creepy. The original Resident Evil kicks ass (but not the sequels so much).  And of course, 28 Days Later and 28 Weeks Later. which totally had me on edge.

Then I finally saw Quarantine, an excellent remake of the Spanish film [Rec] about a TV reporter (Dexter‘s Jennifer Carpenter) and her cameraman (Steve Harris), who are doing a special report on fire fighters. They follow them on a routine call, only to find themselves trapped in an apartment building with a growing number of bloodthirsty flesh-eaters, unable to escape because the CDC and authorities have quarantined the place.  It’s got that whole documentary style, with the shaky camera work and dark lighting, making it difficult to see what’s happening – and who’s turning into a zombie. Here’s the trailer:

Yeah, it’s intense. And for all the clenching of the teeth, hoping the uninfected can escape the infected, there are the times we can laugh at zombies, like with Shaun of the Dead and most recently, Zombieland. I like having a nice balance.

How to Scare Me: “Halloween” and “The Exorcist”

Halloween-Jaimie-Curtis_lEntering into my teen years, I wasn’t much into horror flicks, avoiding them whenever possible. I had those damn visions of Carrie still dancing through my head. I was, however, deeply involved in Stephen King novels, starting with Salem’s Lot and The Shining. I guess reading horrific details was better for me than watching it.

There had been a few outings, though. I remember seeing Alien and staring with my mouth open when that thing pops out of John Hurt’s chest, and then laughing when it squealed as a way to release the tension. I have since grown to love sci-fi horror, especially monster movies like this. I also remember sleeping over at my friend’s house and her making me watch (ugh!) the first Friday the 13th. So stupid and so gross.

But there were two horror films that marked me in my teens. The first one was Halloween. Again, peer pressure led me to the theaters; my boyfriend was desperate to see it, so I dutifully went, knowing I’d hate every second. Then coming home at midnight, I was petrified, sitting in a chair in the living room, convinced Michael Myers was waiting for me in my room – until about 3:00 am when my sister (different sister) came home from work and told me I was being ridiculous. I really never willingly watched another slasher film again. I just hate knives.

The other film was The Exorcist. Perhaps it was fortunate I only saw this one on TV, with commercials, and not in the theater. Just imagine if THIS was my first experience, rather than Carrie. I’d be scarred for life. As it was, watching it on TV still left me terrified. I couldn’t get past how real it was — that could have been ME, a sweet innocent girl, possessed by a demon. I looked at our attic door long and hard for months afterward, relieved we never opened it. There is a very good reason this movie appears on almost everyone’s top 10 horror list. See for yourself:

Speaking of demon movies, there have been a few others that have freaked me out over the years. One was a 1975 movie called Race with the Devil, starring Peter Fonda, Warren Oates, Lara Parker and Loretta Swit. They play two couples on vacation together, traveling in a motor home, who inadvertently witness a Satanic ritual in a small town and end up on the run from the worshippers, who seem to be everywhere. Of course, it’s a little dated now, but still creeps me out.

So does The Exorcism of Emily Rose, about a priest on trial for the death of a young woman he tried to perform an exorcism on, but who died while being possessed by six demons anyway. That brought up the whole 3:00 am “witching hour” phenom, when demons are said to be most active as a way to mock the Holy Trinity. After I saw the the movie, I swear I woke up every night at 3:00 am for a solid two weeks.

And then there’s my all-time favorite, the original 1976 The Omen, which I’ve seen a million times and never gets old for me. Something about that little boy’s angelic face hiding the fact he’s Satan’s spawn. Love it.

How to Scare Me: “Carrie”

CarrieSo now you know The Wizard of Oz was one of the first films to scare me. By the way, I also watched The Creature from the Black Lagoon and Godzilla when I was little, just cause I wanted to prove to myself I wasn’t a complete chicken when it came to monster movies.

But my first bonafide horror flick was the 1976 Carrie. I was dragged to this unwillingly by my older sister who I was visiting in Washington D.C. I knew I didn’t want to see it, but she did, so I had no choice. I was 12 – which, of course, is now considered way too old to get scared, given what kids are exposed to these days. No matter, it made its impression in my brain.

I barely watched through my fingers the gory confrontation in the gym, when Carrie, drenched in pig’s blood, wreaks havoc and basically kills everyone. And the part later when she crucifies her mother with knives. But it was the very end, when Sue is walking to Carrie’s grave to put flowers on it and that hand shoots up out of dirt to grab her arm, that really got me. In fact, I wasn’t even WATCHING it, had my hands over my eyes, but the audience gasped so loud, it made me jump. I started crying because it scared me so bad. Yeah, I think my sister felt pretty awful for doing that to me. Here’s a bit about Carrie on Bravo’s 100 Scariest Movie Moments, including some comments from my favorite Stephen King, who wrote the book:

Of course, I appreciate the film now for all its teen angst and wonderful nuances – but I still have to cover my eyes in some parts.