How to Cast: Jessica Alba

Jessica_Alba_attends_24927tAs a Focker, of course. The lovely Ms. Jessica is in negotiations to play a hottie in the upcoming tri-quel Little Fockers. Big stretch, I know. According to the Hollywood Reporter, she’s in line to play a comely pharmaceutical rep who messes with the males in the film, including Ben Stiller and Robert DeNiro. The film picks up where 2004’s Meet the Fockers left off, with Stiller’s Gaylord Focker and Teri Polo’s Pamela Byrnes becoming parents. And Jessica Alba seducing and giving them drugs. I guess.

In other movie news: As if Leonardo DiCaprio doesn’t have enough to do. Variety reports, he’s signed up for yet another project, The Deep Blue Goodbye, an adaptation of the John D. MacDonald mystery novel series. DiCaprio plays Travis McGee, a self-described beach bum, who lives aboard the 52-foot houseboat called The Busted Flush in sun-drenched Florida and makes a living as a “salvage consultant” – i.e. recovering property for clients and raking them for a ton of cash. Plus, he gets into a lot of danger and has flings with beautiful women. OK, I get why DiCaprio would want to do this; he looks good with a tan.

Hugh Jackman may be stepping into the ring – but not necessarily to fight. He’s in talks to star in Real Steel, and this is the synopsis, according to Variety: “Pic is a Rocky-esque tale of a fighter who has to reinvent himself when human boxing becomes obsolete, replaced by 2000 pound human-like robots. An ex-fighter (Jackman) becomes a Robot Boxing promoter whose chances of success are hampered by his access to sub-standard robot parts. That is until he discovers a discarded robot that always seems to win. The ex-fighter has also discovered he’s the father of a 13-year old son, and they bond as the robot brawls its way toward the top.” Clearly, they are being serious about that synopsis. I’m sitting here, incredulous, with my mouth open.

And finally, a little werewolf love. What, you don’t think vampires have the market on supernatural teen romance, do you? Maggie Stiefvater’s new novel Shiver has been optioned for a film and is a story about a “bittersweet paranormal romance” between a young girl and her teen werewolf boyfriend. She was saved by him from a pack of wolves as a child and now, as teens, they are in love – except he’s maturing into full wolfhood, and she’s desperate to keep him human. I’m getting tired of vampires and werewolves. We need to find a NEW supernatural entity for teen girls to make romance with. A hunky centaur, perhaps?

How to FINALLY Get “Arrested Development” on the Big Screen

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For the love of god, let’s put an end to all this and just get it going already. Rumors have been swirling for years, it seems like, about cult TV favorite Arrested Development getting a big-screen treatment. Will they? Won’t they? Not that I’m actually scooping anything, since there is an iMDB record and everything, but I did hear today that there is DEFINITELY an AD movie in the works.

At the press interviews for the delightful Whip It, co-star Alia Shawkat (AD‘s Maeby Funke, all grows up now) confirmed that creator Mitchell Hurwitz was busy typing his little fingers off to get a screenplay done and that they could be starting production soon. She hasn’t signed anything official yet, but she said the cast was asked if they were game and available, and everyone said, “Yeah!”

Thank god, now we can stop sweating it and imagine just how twisted a feature-length movie with the f’ed Bluths will be. Oh, and my cool interviews with Whip It‘s director Drew Barrymore, star Ellen Page and some other choice members of the cast — including the adorable Shawkat (who plays Page’s BFF in the film) — are coming up.


How to Make Cash: Keep the “Meatballs” Falling

2009_cloudy_with_a_chance_of_meatballs_wallpaper_001 (2)You know, before the weekend started, I was thinking about last week’s box office post on what I thought might win. Surrogates had all the best chances, of the new releases, but then I realized Cloudy with a Chance of Meatballs was probably going to win – and it did, to the gross of $24.6 million. I really did have this conversation with myself, I swear.

Here is the top five at the box office this weekend:

1. Cloudy with a Chance of Meatballs (Sony) - $24.6 mil; 3,119 theaters; $7,887 PT; $60 mil cume
2. NEW! Surrogates (Buena Vista) - $15 mil; 2,951 theaters; $5,083 PT
3. NEW! Fame (MGM) - $10 mil; 3,096 theaters; $3,241 PT
4. The Informant! (Warner Bros.) - $6.9 mil; 2,505 theaters; $2,760 PT; $20.9 mil cume
5. Tyler Perry’s I Can Do Bad All By Myself (Lionsgate) - $4.7 mil; 2,120 theaters; $2,241 PT; $44.5 mil cume

Poor Disney. Surrogates wasn’t quite the smash hit they probably wanted, or needed (hence maybe the reason Dick Cook was abruptly given the boot), but they still manage to hit it big with their animated/Pixar movies. Wonder how their upcoming The Princess and the Frog will do. Here’s the trailer, what do you think?

As for this coming weekend, we’ve got a few choice selections. First, there’s the dark comedy Zombieland about a group of people (Woody Harrelson, Emma Stone, Jesse Eisenberg, Abgail Breslin) whooping some zombie ass. Then there’s The Invention of Lying, in which Ricky Gervais learns he can get whatever he wants simply by lying in a world where everyone tells the truth. And finally Whip It, Drew Barrymore’s directorial debut set in the world of roller derby in Austin, TX and starring Ellen Page. I’m partial to Whip It (see trailer below), but thinking Zombieland,which is getting great word of mouth, might win out. Then again, there’s always Cloudy with a Chance of Meatballs … How’s that for being noncommittal?

How to Relive the “Nightmare”

For all those Nightmare on Elm Street fans, here’s the trailer to the upcoming 2010 remake:

I’ve never really loved the movies myself, but I have to admit this looks pretty darn scary. I think what is intriguing me is the fact Jackie Earle Hayley is playing Freddy. He’s gonna add something to it, I know it.

How to Watch: “Surrogates”

the-surrogatesStep 1: Throw away the Blackberry? Surrogates is yet another serviceable sci-fi whodunit about how our dependency on technology will be the ruin of us all.

Step 2: Fire up the “stim chair!” OK, OK, just kidding. Replacing ourselves with perfect robot surrogates so we don’t ever have to leave the house or have any kind of human interaction is bad; we get it. But in the not-so-distant future world of Surrogates, it’s all the rage. A scientist dude named Canter (James Cromwell) invented these robots that can be operated by brain waves and now, everyone is plugged into their very own stim chair while their surrogate is out living it up. The surrogates can take all the pain and injury, too, but nothing happens to the human host – until now. Surrogate detectives Greer (Bruce Willis) and Peters (Radha Mitchell) stumble upon the murder of two other surrogates, whose humans are also killed at the same time by having their brains fried. In the process of the investigation, Greer’s surrogate is destroyed, so now human Greer has to venture out into the real world to solve the crime – and gain back a little of his humanity.

Step 3: Embrace your imperfections. All the surrogates in the film are in shape, air brushed and surrogatescoiffed most exquisitely, while the humans operating them are pale, blotchy, fat, dark circles under their eyes – except for Bruce Willis, of course. He, as the real Greer, is far more attractive than his blonde-headed surrogate. Maybe that’s just me – I like my Bruce bald and manly. He plays Greer as the action guy who is also in a mid-life crisis. You see, Greer and his wife, portrayed nicely by Rosamund Pike, have lost a child and escape the hurt by becoming addicted to their surrogates. But now Greer wants to reconnect with his wife and sees the harm in surrogacy.

Step 4: Don’t always paint by the numbers. Surrogates could have been a lot cooler if they delved more deeply into the surrogacy vs. humanity aspects and our basic need to reach out and touch someone, which is probably what the graphic novel, on which Surrogates is based, does. None of the characters are very well developed in the film. You’re not invested in whether the human race breaks out their isolation to grab a Coke and a smile. Director Jonathan Mostow (Terminator 3) instead turns it into another generic sci-fi crime thriller, a la Minority Report or I, Robot . It works OK, but you feel they forgot the point.

Level of difficulty in watching Surrogates: Moderately easy. Certainly nothing new and different, but it’s always good to see Bruce Willis kick some ass.


How to Cast: Brad Pitt

godless-brad-pittAs Moriarty, Sherlock Holmes’ nemesis, perhaps? Apparently, the discussion is on the table, as the producers are already readying a sequel to the upcoming Robert Downey Jr./Jude Law actioner Sherlock Holmes. According to the Hollywood Reporter, the cast – and possibly director Guy Ritchie – will most likely all be on board, and now they’ve have asked Pitt if he’d be interested in playing the criminal mastermind. Hmmm, I could see some symmetry to that. Let’s just see how much money Holmes makes when it opens Christmas Day (I’m kinda betting it’ll be a hit).

In other movie news: Will Archie, Veronica and Jughead get their big-screen debut? According to Variety, the Archie Comics Publications and CAA two companies have signed a deal in the hopes of creating film and television franchises. I actually wondered out loud awhile ago why they hadn’t done a live-action version of the Archie comics yet. I mean, if they can do Scooby-Doo movie, an Archie and the gang movie shouldn’t be that difficult.

Bryan Singer is going to direct an updated Jack and the Beanstalk adaptation INSTEAD of doing an Excalibur remake. Whew. The story centers on a young farmer named Jack, who is given the task to lead an expedition to the giants’ kingdom in the hopes of rescuing a kidnapped princess. Variety reports Singer is taking over after D.J. Caruso’s departure and will give it a more mature rendering, a la Lord of the Rings.

Vampire love isn’t the only thing Stephanie Meyer is interested in. Oh no. She also has a thing for body-snatching aliens. Along with the Twilight series, the best-selling author also has created The Host, which tells the story of an alien race whose souls have taken over the planet, inserting themselves into their human hosts by erasing their minds and taking over. There’s one stubborn girl, however, who isn’t relinquishing her mind so easily and actually infuses her thoughts into her alien snatcher, thus driving her “Wanderer” into searching for “the last pocket of surviving humans on Earth.” Variety reports the screen rights to Meyer’s novel have been bought, and Andrew Niccol (Gattaca, The Truman Show) has been enlisted to write and direct the feature. Color me intrigued.

SecretariatDiane Lane, Dylan Walsh, John Malkovich and Scott Glenn are riding Secretariat to the movie theaters. Yes, it’ll be a movie about THE horse that won the 1973 Triple Crown and the people surrounding the animal who made it happen, including: Lane as the horse’s owner Penny Tweedy, the housewife who became one of the first women to enter into the male-dominated world of horse racing; Walsh as Penny’s husband, a lawyer who didn’t like his wife’s newfound power; Malkovich as the charismatic trainer who underestimated the power of Secretariat; and Glenn as a southern-bred aristocrat who loses the horse in a coin toss. Well thank goodness we have another horse movie; it’s been awhile since Seabiscuit.


How to Watch: “Capitalism: A Love Story”

michael-moore_003Step 1: Love him or hate him. Michael Moore makes us think; he makes us talk. And if you agree with what he has to say, especially with his latest opus Capitalism: A Love Story, he can inspire you to make a difference.

Step 2: Admit it. There’s one thing we can all resoundingly agree upon: The U.S. economy is in bad shape. In his first documentary Roger and Me, Moore showed us just the tip of the iceberg when he spotlighted the demise of Flint, Michigan, his hometown, due to General Motors’ downsizing. So, it only makes sense Moore would want to revisit the very same problems he warned us about in 1989, now seen played out on a massive national scale. Peppered with very real and very heart-wrenching stories of economic woe – a Moore specialty – the filmmaker drives home the point that corporate America, capitalism at its core, will be the downfall of us all unless we change things, stand up for ourselves and stop those greedy bastards from stealing any more dimes from us. Basically, Moore would like the American people, the 99 percent who are not super rich, to start a revolution – and he isn’t kidding.

Step 3: Thank god for the freedom of speech. For all of the U.S. faults, there are still some basic fundamental rights still in place – and the freedom to say what you want is one of them. Moore has become that guy who just isn’t going to keep his mouth shut. Sure, he’s heavy handed with his message, and yes, he typically only searches out those things that will support his agenda, rather than perhaps showing the whole picture (he IS a filmmaker, after all – a darn entertaining one at that). But he doesn’t pretend to be non-partisan. When we watch his documentaries, we know exactly what he stands for, and we want him to be out there asking the hard questions. Over and over and over again. Problem is, now Moore has now lost some of the element of surprise because of his notoriety. There’s a pretty hilarious part in Capitalism when he tries to go into the now bankrupted GM headquarters and is AGAIN turned away. “Come on, I’ve been trying for 20 years to get in there,” Moore says. “Don’t you think it’s time to let me in? I’ve got some pretty good ideas capitalismon how to help.” I just bet you do, Michael.

Step 4: Get your hands on some crime scene yellow tape. One of the best – and lighter – moments in Capitalism is Moore storming Wall Street, looking to get our money back from the big guns who took it in the bailout, making some citizen’s arrests of the banks’ CEOs for their white-collar crimes and finally cordoning off the buildings themselves with crime scene tape. It’s classic Moore – and it’s great.

Level of difficulty in watching Capitalism: A Love Story: As a compelling documentary, it’s easy but it’s also hard because we’ve got a lot of work to do to fix things in this country.


How to Protect the Insurance Companies

This just cracks me up. Over at FunnyorDie.com, a bunch of celebs got together to do a PSA on how to SAVE the insurance companies and their executives. Because god knows, they need to be saved. Watch:

I seriously have to remember to go to FunnyorDie.com a few times a week. They’ve always got the best stuff.


How to Spend “Valentine’s Day”

With several of your closest movie star friends. In the same vein as Love, Actually and He’s Just Not That Into You, here’s the trailer to the latest romantic comedy ensemble Valentine’s Day, starring … well … a bunch of people you’ll recognize immediately:

OK, I realize I’m sounding a bit sarcastic about this, but I admit it. I’ll totally go see this and no doubt laugh, cry and sigh.


How to Make Cash: Fill the Sky with “Meatballs”

cloudy-with-a-chance-of-meatballs-0A banner weekend for new movies! All the four new releases were in the top five, with Cloudy with a Chance of Meatballs easily coming in at No. 1 with $30.1 million. Kid movies are just super hot these days, plus Meatballs had excellent word of mouth. It’s a hilarious and very sweet movie.

Here is the top five at the box office this weekend:

1. NEW! Cloudy with a Chance of Meatballs (Sony) - $30.1 mil; 3,119 theaters; $9,651 PT
2. NEW! The Informant! (Warner Bros.) $10.5 mil; 2,505 theaters; $4,210 PT
3. Tyler Perry’s I Can Do Bad All By Myself (Lionsgate) - $10 mil; 2,255 theaters; $4,461PT $37.9 mil cume
4. NEW! Love Happens (Universal) - $8.4 mil; 1,898 theaters; $4,455 PT
5. NEW! Jennifer’s Body (Fox) - $6.8 mil; 2,702 theaters; $2,517 PT

I’m surprised Jennifer’s Body came in fifth. Perhaps the backlash around Megan Fox’s negative comments about Transformers‘ director Michael Bay may have contributed, but it’s clear she isn’t as invincible as one might think.

And apparently, Inglourious Basterds – which came in seventh place this weekend with $3.6 mil, bringing its grand total to $109.9 million – is director Quentin Tarantino’s highest grossing film of all time, beating Pulp Fiction. Good for you, Quentin.

This coming weekend has three new releases: Fame, a 21st -century update of the ’80s dance flick that spawned a TV series and endless dreams of dancing on top of cars on a crowded city street; Pandorum, another horror/thriller set in space; and Surrogates, a sci-fi murder mystery starring Bruce Willis. I’m guessing Surrogates will win, just cause everyone still likes Bruce Willis. And the ad campaigns have been kinda freaky, with pictures of half model/half machines. Here’s the trailer: