Monthly Archive for December, 2009

How to Pick My Favorite Performances of 2009

Here are some of the more memorable ones for me:

Michael Gambon in Harry Potter and the Half-Blood Prince:

I just loved him as Prof. Dumbledore. No disrespect to Richard Harris, who created the character, but Gambon really makes the aging wizard something more than just being wise and all knowing, something more human – and in Half-Blood Prince, he shows how Dumbledore can falter.
Albus Dumbledore: “Years ago, I knew a boy who made all the wrong choices. He seemed a student like any other. His name was Tom Riddle. Today, the world knows him by another name: Voldemort … In my life I have seen things that are truly horrific. Now I know you will see worse.”

Sandra Bullock in The Blind Side:

The role of a spunky, take-no-shit Southern belle seems tailored made for Bullock. The fact she’s playing the real Leigh Anne Tuohy is just a bonus.

Leigh Anne: “If you so much as set foot downtown you will be sorry. I’m in a prayer group with the D.A., I’m a member of the NRA and I’m always packing.”

Jeremy Renner in The Hurt Locker:

War is indeed a drug for Sgt. William James, master bomb diffuser on tour in Iraq, and Renner is simply brilliant at conveying those emotions.

Sgt. James: “There’s enough bang in there to blow us all to Jesus. If I’m gonna die, I want to die comfortable.”


Zach Galifianakis in The Hangover:

The big ZG is so friggin’ hilarious in this movie – a cross between … oh hell, his Alan is too quirky to categorize.

Alan: “You guys might not know this, but I consider myself a bit of a loner. I tend to think of myself as a one-man wolf pack. But when my sister brought Doug home, I knew he was one of my own. And my wolf pack… it grew by one. So there… there were two of us in the wolf pack… I was alone first in the pack, and then Doug joined in later. And six months ago, when Doug introduced me to you guys, I thought, “Wait a second, could it be?” And now I know for sure, I just added two more guys to my wolf pack. Four of us wolves, running around the desert together, in Las Vegas, looking for strippers and cocaine. So tonight, I make a toast!”

Zachary Quinto/Chris Pine in Star Trek:

These two have just got to keep playing Spock and Kirk, like, from now on.

James T. Kirk: [to Spock] “The test itself is a cheat, isn’t it? I mean you program it to be un-winnable.”
Spock: “Your argument precludes the possibility of a no-win scenario.”
Kirk: “I don’t believe in no-win scenarios.”
Spock: “Then not only did you violate the rules, you also fail to understand the principal lesson.”
Kirk: “Please enlighten me.”
Spock: “You of all people should know, Cadet Kirk, a captain cannot cheat death.”
Kirk: [reminiscing] “I of all people…”
Spock: “Your father, Lieutenant George Kirk, assumed command of his vessel before being killed in action, did he not?”
Kirk: “I don’t think you like the fact that I beat your test…”
Spock: “Furthermore, you have failed to define the purpose of the test.”
Kirk: “Enlighten me again.”
Spock: “The purpose is to experience fear, fear in the face of certain death, to accept that fear, and maintain control of oneself and one’s crew. This is the quality expected in every Starfleet captain.”


Robert Downey Jr./Jude Law in Sherlock Holmes:

Ditto with these two playing Sherlock Holmes and Dr. John Watson.

Sherlock Holmes: “You’ve never complained about my methods before.”
Dr. John Watson: “I’ve never complained! When have I ever complained about you practicing the violin at three in the morning, or your mess? Your general lack of hygiene or the fact that you steal my clothes?”

Christoph Waltz in Inglourious Basterds:

He seems like yet another sadistic Nazi, but it’s the way the foppish Waltz takes such delicious pleasure in it that makes the performance stand out.

Col. Hans Landa: “What a tremendously hostile world that a rat must endure. Yet not only does he survive, he thrives. Because our little foe has an instinct for survival and preservation second to none… And that Monsieur is what a Jew shares with a rat.”

Meryl Streep in Julie & Julia:

Seriously, who better to play Julia Child than Meryl Streep, I ask you? Superb job.

Julia Child: “Maybe I should do something …”
Paul Child: “And what is it that you like to do?”
Julia: [Pauses as she's about to take a bite] “Eat!”
Paul: “And you are SO good at it!”
Julia: “I am good at it.”
Paul: “Look at you now, so good at it …”
Julia: “I’m growing right in front of you!”


Anna Kendrick in Up in the Air:

And who knew Bella’s best friend from Twilight had it in her? Kendrick’s young whipper snapper corporate climber with a definite ranks up there.

Natalie Keener: “I don’t want to say anything that’s anti-feminist. I really appreciate what your generation did for me.”
Alex Goran: “It was our pleasure.”
Natalie: “Sometimes it’s like, no matter how much success I have, it’s not going to matter until I find the right guy.”
Alex: “You really thought this guy was the one?”
Natalie: “I could have made it work. He, um, he really fit the bill, you know?”
Ryan Bingham: “The bill?”
Natalie: “White-collar college grad. Loves dogs, likes funny movies. Six foot one, brown hair. Kind eyes. Works in finance but is outdoorsy, you know, on the weekends. I always imagined he’d have a single syllable name like, Matt or John. Or Dave. In a perfect world, he’d drive a 4runner. And the only thing he loves more than me is his golden Lab … And a nice smile.”

Liam Neeson in Taken:

Another pleasant surprise: Neeson can play one bad-ass motherf**ker – or just a dad trying to rescue his daughter, whichever way you look at it.

Bryan: “I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills; skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my daughter go now, that’ll be the end of it. I will not look for you, I will not pursue you. But if you don’t, I will look for you, I will find you, and I will kill you.”

Gabourney Sidibe in Precious:

Sometimes a newcomer comes along on the big screen and knocks your socks. That was Sidibe for me.

Clareece ‘Precious’ Jones: “My name is Clareece Precious Jones. I want to be on the cover of a magazine. I wish I had a light-skinned boyfriend with good hair. But first I want to be in one of those BET videos.”


Hank Azaria in Night at the Museum: Battle of the Smithsonian:

Oh my lord, the always underrated Azaria is hysterical as the Egyptian baddie – completely makes the movie for me. And the exchange below was my favorite scene (I was peeing in my pants):

Kahmunrah: “They didn’t call me Kahmunrah the Trustworthy for nothing, here you go … [almost hands the hourglass containing Jedediah to Larry but then snaps it back]. They DIDN’T call me Kahmunrah the Trustworthy! They called me Kahmunrah the Bloodthristy, who KILLS whoever doesn’t give Kahmunrah EXACTLY what he wants at the moment that he WANTS it, which is RIGHT now, when I had also better get the combination AND the tablet!”
Larry Daley: “That’s what they called you?”
Kahmunrah: “It was shorter in Egyptian.”
Larry: “Well, great, I’ll give you the combination after you give me that …” [reaches for the hourglass]
Kahmunrah: “If you touch that again, I shall kill you right now. Do not touch this! This is a no-touching zone!”
Larry: “Good, well, then …” [tries to grab the hourglass again]
Kahmunrah: “Oh my god! I can’t believe you reached across like that again! I can’t even believe it! Oh god, I want to kill you right now. If you didn’t know this combination, you’d be so dead right now, it would be unbelievable.”
Larry: “But I do know the combination.”
Kahmunrah: “DON’T. CROSS. THIS. LINE! With your hand …”
Larry: “Uh …”
Kahmunrah: “If you speak again, IF YOU SPEAK AGAIN, I’m going to kill you! Do you understand?
Larry: “But …”
Kahmunrah: “Oh my GOD, don’t say anything. I should murder you if you talk again. Now give me that tablet and tell me the combination!”
Larry: [Reaching for the hourglass yet again] “OK, after you give me Jed and release my friends …”
Kahmunrah: [Exasperated] “You did all three! You spoke and you reached your hand across!”
Larry: “Look, I could talk to you about this all night …”
Kahmunrah: “How about I don’t kill you right now, like I really, REALLY want to, and I give you precisely five seconds to give me that tablet and tell me the combination …”

I also loved Colin Firth in A Single Man — the moment he finds out his lover has been in a car crash is a study in human emotions without saying a word. And the fact Bill Murray would make such a wonderfully placed cameo in Zombieland just proves the guy’s game for anything. There are more performances, of course, but these are my stand outs.

How to Pick My Top 10 Films of 2009

Not an easy task, since there were quite a few I enjoyed this year – and some I missed that might have made the list, such as An Education, the dolphin documentary The Cove and John Woo’s Red Cliffs, to name a few. This looks like a bit of a replay of my summer recap – I mean, this summer at the movies kicked ass, in my opinion – so I apologize for the duplicates. But this is a solid list for me — in alphabetical order:

(500) Days of Summer: With a sweet complexity and quirky sensibilities, this ranks as one of the better anti-rom-coms. Thanks for thinking outside the box, guys.

District 9: I just watched this again last night and was just as mesmerized a second time. I think it’s how they mix the documentary style with straight storytelling or the juxtaposition between the sci-fi action and the heartfelt humanity. Wow. Not what you’d expect.

The Fantastic Mr. Fox: Have I mentioned how much I love Wes Anderson movies? Well, I do, and having him re-envision a Roald Dahl story with stop-motion animation and voiced by the likes of George Clooney, Meryl Streep and Anderson cronies Jason Schwartzman, Bill Murray and Michael Gambon – is just pure Wes genius.

The Hangover: Great premise + hilarious execution = a comedy you must own. Which I now do. I can’t wait to watch all the bonus features.

The Hurt Locker: Again, just not a war movie about bomb diffusers you’d expect – and yet, all-too familiar with its adrenaline junkies and nail-biting tension. A pure rush, this one.

Inglourious Basterds: Such a hoot and so very Quentin Tarantino. I’m just thinking that this might win Best Picture. Its Jew-revenge fantasy alone is going to give it a notch up – plus Tarantino hasn’t ever won before. Could be the perfect combo.

Star Trek: Just a damn fine summer blockbusting popcorn action-flick – made even more so if you are a Trekkie like me. Go, Spock and Kirk!

Sherlock Holmes: Another damn entertaining film – made more so by its clever casting and mystery-solving antics. Go, Holmes and Watson!

Up: Just watched this one again, too (we are big on giving DVDs for Christmas) – what a great story, told again through the wondrous eyes of Pixar.

Zombieland: Haven’t laughed this hard at zombies since, well, ever. And I totally memorized all those rules, you know, just in case.

Here are some of my honorable mentions: Land of the Lost and The Twilight Saga: New Moon (yes, I will stand by these two choices); Taken (so quick and kick ass); Cloudy with a Chance of Meatballs (completely endearing and F.U.N.N.Y.); Avatar (for the visuals alone); Up in the Air (for its quick-witted-ness); The Blind Side (surprisingly schmaltz free); Paranormal Activity (for scaring the bejeezus out of me); Drag Me to Hell (for making me laugh at scary, gross stuff); Julie & Julia (for teaching me how to poach an egg); Harry Potter and the Half-Blood Prince (because I love ALL Harry Potter movies); I Love You, Man (for Paul Rudd and Jason Segel, together as one)

And some I didn’t like so much: Old Dogs (tooooo old); Shorts (too many fart jokes, if that’s possible); The Ugly Truth (too ugly); Transformers: Revenge of the Fallen (too many robots); Ghosts of Girlfriends Past (too many girlfriends); The Pink Panther 2 (one too many Pink Panthers)

How to Start at the “Inception”

OK, this new flick from director Christopher Nolan looks like our friend has returned to his mind-twisty ways — and we are glad to have you back! Check out the trailer:

One of my favorite movies of the 2000s is Nolan’s Memento (more to come on that later). This seems like it’s equally as freaky. BIG smiley face!

How to Make Cash: Christmas Miracles

I had a feeling this Christmas weekend was going to be a big one at the box office, and boy was I right. With Avatar once again in the lead – and lots of other choices – the holiday weekend set a record with an estimated $278 million in weekend box-office revenue. That broke the previous record of roughly $253 million set in July 2008 on the weekend The Dark Knight was released, according to the Associated Press. Not too shabby.

Here is the top five at the box office this weekend:

1. Avatar (Fox) – $75 mil; 3,456 theaters; $21,701 PT; $212.2 mil cume
2. NEW! Sherlock Holmes (Warner Bros.) – $65.3 mil; 3,626 theaters; $18,031 PT
3. NEW! Alvin and the Chipmunks: The Squeakquel (Fox) – $50.2 mil; 3,700 theaters; $13,568 PT: $77 mil cume (opened Wednesday)
4. NEW! It’s Complicated (Universal) – $22.1 mil; 2,887 theaters; $7,660 PT
5. Up in the Air (Paramount) – $11.7 mil; 1,895 theaters; $6,203 PT; $24.5 mil cume

Of course, having Christmas fall on a Friday is a big help, but I can’t remember a holiday season in which there were so many different and equally entertaining movies to choose from. Studios really should take note on this trend.

I’m particularly pleased to see Sherlock Holmes did so well since, well, I want it to get a Best Picture nomination. The reviews have been mixed, which may hurt a little, but then again, so were the reviews for Avatar and that seems to be a shoo-in (I know, I know – a shoo-in for all the technical awards but still …)

So since there aren’t any new films opening New Year’s weekend, which one of these fine films do you think will gain speed? Avatar and Sherlock Holmes may slide a little, with the repeat business dwindling a little. So, believe it or not, I’m thinking Alvin and the Chipmunks: The Squeakquel may actually forge ahead. It’s a kids’ flick. It’s something they might want to see again. And it’s short. I’m just saying … Here’s a clip of the girl chipmunks singing Beyonce’s “Single Ladies”:

How to View “Knight and Day”

Oh look, Tom Cruise and Cameron Diaz are together again. But this time instead of Diaz playing a crazed jilted lover stalking Cruise — and disfiguring him in a car crash,  you know, like she did in Vanilla Sky — Diaz gets caught up in Cruise’s super spy life in Knight and Day. Here’s the trailer:

Not sure if Cameron still has it or not, but I kinda like it when Tom does the comedy thing. So, on that note, this doesn’t look too bad.

How to Watch: “It’s Complicated”

Step 1: Keep it simple. It’s Complicated thankfully isn’t – as a romantic comedy, that is. It’s pretty straight forward, funny stuff, bolstered by terrific performances and a script that zings.

Step 2: Realize, of course, it’s life that can be complicated – at least for Jane (Meryl Streep). Divorced for 10 years, she has built a nice life for herself and their three kids, running her own business. She has even finally gotten to a place where she can redo her house they way she wants it. Yet, she unexpectedly finds herself having an affair with her now-remarried-to-a-younger-woman ex, Jake (Alec Baldwin), which begins after a drunken night they spend together at their son’s college graduation and continues when they get back home. While Jake  feels great about it, finally realizing how much he needs her back in his life, Jane has knots in her stomach. Yes, she’s flattered. Yes, there’s some payback involved. But this isn’t what she really wants in her life now, especially after all they’ve been through. And to complicate things further, Jane is also being wooed by the architect (Steve Martin) designing her house add-ons. She definitely needs to resolve this one way or another before her kids find out.

Step 3: Meryl as … Meryl. This may be the first time in a LONG time Meryl Streep basically plays herself. No accents, no wigs, no singing and dancing – just Meryl as an attractive, smart, slightly befuddled 60-ish mom, who loves her kids, bakes a mean chocolate croissant – and can charm the pants off the men in her life. Thing is, we all know she can do it without the props, so it’s just nice to see her do it au natural once in awhile. She finds a nice balance with Alec Baldwin, who gives us another cad of sorts. You can understand why Jane does what she does, but you’re glad with her final decision. I’m not sure if Baldwin was the best choice to play the part; he just doesn’t quite hit it for me, especially as a divorced dad of three kids. So then I tried thinking about who would have been better and came up with Kevin Kline. Wouldn’t a Sophie’s Choice reunion have been cool? Ah, well. And I do like it when Steve Martin plays it straight and sweet, as he does here. He really is a pretty good actor, so I scratch my head at some of his choices sometimes (hint: don’t do anymore Pink Panthers, please). As for the other supporting cast, The Office‘s John Krasinski stands out as the soon-to-be son-in-law, whose finds out about Jake and Jane in a most hilarious way.

Step 4: Write what you know. Gotta hand it to her – writer/director Nancy Meyers has a knack for this older generational, romantic comedy stuff. And boy, she likes to empower her women characters. With her other films, such as Something’s Gotta Give, Meyers has a very funny and poignant perspective on love over 50, and with It’s Complicated, she also delves into the long-term after-effects of divorce.  How Jane has coped but has come out of it more successful than Jake and how Jane fostered a very close knit bond with her now grown up kids (played by Zoe Kazan, Caitlin Fitzgerald and Hunter Parish), who you can also see had to rely on each other when times got tough. Sure, there’s a bit of a sugar coating over it all, but the film still deals with it honestly.

Level of difficulty in watching It’s Complicated: Easy peasey – and lots of fun.

How to Watch: “Sherlock Holmes”

Step 1: Thrill from the word go. Fueled by director Guy Ritchie’s fast-paced action and Robert Downey Jr.’s uncanny skill at inventing his own unique spin on his characters, Sherlock Holmes thoroughly entertains from beginning to end.

Step 2: Break traditions. All those things we’ve come to know from past Sherlock Holmes adaptations are gone– no hounds-tooth coats or “Elementary, my dear Watson” lines here. Instead, Ritchie and others have returned to Arthur Conan Doyle’s books and short stories to uncover a less stodgy, more improved Holmes. Although he still possesses exquisite powers of deduction and smokes a pipe, turns out Holmes is also a boxer, a pretty handy martial artist and swordsman of sorts. An action hero for 1860s London, as it were. We meet the man (Downey Jr.) and his crime-busting partner John Watson (Jude Law) just as they apprehend known occult follower and murderer Lord Blackwood (Mark Strong). But Blackwood has other plans. After seemingly hanged for his crimes, he resurrects himself from the dead, which throws the city into a tizzy. Inspector Lestrade (Eddie Marsan) of Scotland Yard once again calls Holmes in to help and since Holmes doesn’t believe Blackwood has magical powers, he feels a game is indeed afoot. He must also contend with an old flame Irene (Rachel McAdams), the only criminal to best Holmes. And don’t fear, Holmes’ fans: the detective’s arch nemesis Prof. Moriarty makes a brief yet veiled appearance, setting up the grand possibility of further Sherlock Holmes installments.

Step 3: Go, Sherlock! I’m just going to say it up front: I’d almost rather watch more adventures with Downey Jr. as Sherlock Holmes than with him as Tony Stark/Iron Man. Both characters are actually quite similar: mad geniuses, obsessed with science and technology, wanting to stop the bad guys with both their brains and their brawn. Yet, for me, there’s something infinitely cooler about collecting clues, solving mysteries and unraveling dastardly plans from master criminal minds, especially the way Downey Jr. as Holmes accomplishes it. He has created yet another indelible character, part literary legend and part, well, Downey Jr., who is fascinating all by himself.

Step 4: Don’t stop with the similarities. Stark and Holmes both also have loyal friends who are the voice of reason in their chaotic lives – Pepper Potts for Stark and Watson for Holmes. Yet, the Watson/Holmes match up is far more complex and rewarding. Just as Downey Jr. does with Holmes, Law breaks all Watson molds as the bumbling sidekick whose intellect falls short of his more lofty friend. Nothing could be further from the stereotype; this Watson simply kicks ass, with smarts on par with Holmes, even if he can’t see it all the different ways Holmes can. They bicker like an old married couple, and in this scenario, deal with the fact Watson has fallen in love and decided to get married. The tension only adds to their already sweetly dysfunctional relationship. Let’s just say, it’ll be hard from them to quit each other. McAdams also provides a nice touch to the proceedings as con artist Irene (a character taken from one of Doyle’s short stories). She’s Holmes’ Achilles heel. And finally, wonderful character actor Strong (Rocknrolla) plays the villainous Blackwood with aplomb.

Step 5: Visually, Sherlock Holmes rocks it, as well. Apparently a Holmes aficionado, Ritchie creates the detective’s world impeccably – a very industrial, very dark and wet 1860s London, down to riverfront tableaus and up to the building of the Tower Bridge. But of course, Ritchie’s forte is to deliver plenty of action, which he does with gusto, with cleverly inserted slow-mo shots and lots of fisticuffs. I’m so pleased Ritchie is back in top form with this and his previous film Rocknrolla, moving past his non-productive years while married to Madonna. Sign him up again for the next Sherlock adventure, pronto.

Level of difficulty in watching Sherlock Holmes: Oh-so-easy. It’s certainly one of the best films of the year for me, so here’s hoping it’ll open big and become more attractive as a Best Picture contender.

How to Get More “Sex and the City”

The girls are baaaaack! Check out the new teaser trailer for Sex and the City 2:

OK, didn’t give us much, but it’s a start, I suppose

How to Watch: “Crazy Heart”

Step 1: Great role, so-so movie. While it showcases Jeff Bridges’ extraordinary talents and delivers a couple of decent country music tunes, Crazy Heart is basically a retread that doesn’t leave much of a lasting impression.

Step 2: Don’t drink too hard. Bridges plays Bad Blake, a once-great country music star whose career and relationships have gone sour due to his hard-drinking, alienating life. He’s now on the road, playing at local piano bars and bowling alleys in order to make some cash – and throwing up in the alley between sets. His agent begs him to write some new music for an album, but Blake’s creativity well has run dry. That is, until he meets and woos Jean (Maggie Gyllenhaal), a journalist and single mom who captures Blake’crazy heart. Suddenly, things start to look up, including getting an opening act gig for country superstar Tommy Sweet (Colin Farrell), an up and comer Blake once mentored when he was first starting out. All of Blake’s bad habits prove too hard to kick, however, and soon his relationship with Jean starts to slide downhill. This becomes a blessing in disguise because Blake begins to pour his heart out through song – and rebuild his life.

Step 3:
Sound all too familiar? It should. There have been so many movies about grizzled, alcoholic artists who either bounce back or die trying. One that comes to mind similar to Crazy Heart is the 1983 Tender Mercies, which starred Robert Duvall in his Oscar-winning performance as a, you guessed it, former country singing star who hits rock bottom only to come back through the love of a woman. Ironically, Duvall produced Crazy Heart and has a small role as Blake’s one and only friend, an old coot who runs a bar. I actually double checked Duvall’s character name in Heart to see if it was the same guy from Mercies. They aren’t the same, but it would have been kinda cool if they were, don’t you think? It’s obvious Duvall loves this type of story and has an affinity for country music. And even if Crazy Heart is based on a novel, first-time writer/director Scott Cooper must have had the same nostalgic feelings for Tender Mercies as Duvall – which is fine, really. The plot devices work, even if they feel overdone.

Step 4: Get to the real point of doing this kind of movie: a) come up with some good music and b) hand over a choice role to a veteran actor able to portray it. I wouldn’t say this is the best performance Bridges has ever given (it might be a toss up between The Fabulous Baker Boys or Fearless for me), but I’m thinking career Oscar at this point. He totally nails Bad Blake – all at once quiet, sad, drunk, fat, sweaty AND sings all his own songs. The other stand-outs are: Farrell as Tommy, who isn’t the cliché diva type but genuinely respects his mentor and really only wants to see him back in top form; and Ryan Bingham, a young 28-year-old country songwriter who, along with T-Bone Burnett, composes Crazy Heart‘s music, including the great song “The Weary Kind.”  It could easily end up winning the Oscar for Best Song (if they include the category). I met Bingham at the Crazy Heart press junket, and he seems to have packed about 60 years into his short life, most evident in his voice when he himself sings “The Weary Kind” at the end credits.

Level of difficulty in watching Crazy Heart: Not too hard. The one thing you might take home after you see the film is Bingham’s gravelly pipes singing a really sad song.

How to Pay Tribute: Brittany Murphy

I just feel sad. It’s kind of like Heath Ledger: Brittany Murphy dies before she could move past what everyone on the web is calling her “self-image issues,” and reach her true potential. Because she definitely had potential to be a damn good actress and apparently, a singer (this is a great piece on her from Hitfix.com). Then again, what made her some of her performances more heartbreaking was the fragility she infused in them. Something in her eyes, like when she’s looking at Eminem in 8 Mile or even when she’s supposed to be funny in films such as Just Married. Here are a few of Murphy’s more memorable moments (or the ones I could find clips for):

As Tai, the “make-over” girl from Clueless:

As the tragic Daisy in Girl, Interrupted:

As the sexy Shellie in Sin City:

In the eerily titled The Dead Girl:

And lastly, showing off her lovely set of pipes in Happy Feet: