How to Watch: “Easy A”

Step 1: Right off the bat, let’s just go for the total cliché, shall we? Easy A gets an A+ for keeping the teen high school comedy clever and quirky.

Step 2:
Admire any teen comedy that strays off the beaten path and thoroughly entertains. Films like Mean Girls and Superbad come to mind — and now Easy A. Story centers on one particular student named Olive (Emma Stone), who doesn’t really follow any kind of clique, mostly stays by herself or with her BFF, Rhiannon (Aly Michalka), and is one smart cookie. Although most real-life teenagers would never be as eloquent as Olive, she is, nonetheless, a reasonably realistic teen, who deals with the mundane with a wry sense of humor. She gets this, as we come to find out, from her eccentric parents (Patricia Clarkson and Stanley Tucci)… but more on that later.

Step 3: Give an A for effort. The trouble begins when Olive lies to Rhia about sleeping with a college guy, which is then overheard by the school’s Christian youth leader (Amanda Bynes) and is circulated appropriately. And although Olive starts to get some serious cred from this alleged promiscuity, she knows she’ll have to fess up and say it didn’t happen. Or does she? She does tell her gay pal Brandon (Dan Byrd) the truth, but he sees it as an opportunity to call off the mean dudes who pummel him regularly — that is, if she agrees to pretend to have sex with him. It seems Olive is a sucker for a sad case and says yes, which, in turn, leads to more sad cases until Olive becomes the A-No.1 “fake” harlot of the school. Rather than correct the situation, she embraces it, embroidering the letter “A” on her new, sluttier wardrobe – symbolizing Hester Prynne’s predicament in The Scarlet Letter, a book she is reading in English class. Of course, things get pretty nutty fairly quickly, but Olive thinks she’s found a solution to get her out this mess.

Step 4: Kudos to first-time screenwriter Bert V. Royal for taking a staid genre and making it wholly fresh. It’s obvious he has a thing for John Hughes/Cameron Crowe ’80s teen comedies (which Olive makes reference to at one point) – and why wouldn’t he? Sixteen Candles and Say Anything are some of the genre’s classics. But Royal spins his own tale, and seriously, you know you have a solid, intelligent script if you can attract the likes of Oscar nominees Patricia Clarkson and Stanley Tucci to star in a high school comedy. Tucci and Clarkson are, by the way, one of the best parts of Easy A, having almost too much fun as Olive’s forward-thinking parents, who also instill goodhearted familial values. The other best part is Emma Stone, who shoulders her first film after impressive supporting roles in flicks like Superbad, Zombieland, The House Bunny and yes, even Ghosts of Girlfriends Past. Her comedic timing is impeccable, and she never seems to force anything, letting it grow organically. If she continues to pick smart projects like she has been, we’ll be hearing from her for a long time.

Step 5: Other standout performances include Thomas Haden Chuch as Olive’s cool English teacher and Lisa Kudrow as his kooky wife and school guidance counselor, who has a secret of her own. It’s also nice to see Amanda Bynes back in the comedy swing of things, playing the uptight Jesus freak, while Gossip Girl‘s Penn Badgley aptly suffices as Olive’s object of unrequited affection. And finally, a word about director Will Gluck, who makes Easy A his second film. Gluck, who is best known as a TV writer and producer, made his directorial debut with another teen comedy, Fired Up! — which, aside from some typical conventions, isn’t half bad. But he’s improved a great deal with Easy A, taking Royal’s sharp script and visualizing it sufficiently. Gluck’s next film, which he also wrote, is the Justin Timberlake/Milas Kunis yarn Friends with Benefits. Kinda looking forward to it now.

Level of difficulty in watching Easy A: Easy peasey. Go see the easy on the laughs, entirely enjoyable Easy A.

How to Watch: “The Town”

[Note to readers: No, I have not fallen off the face of the Earth. I am still here, and do apologize for not updating my blog in awhile. It’s just one of those things, you know. Working all day, no time. Blah, blah. Ah, to be at home, on the couch, writing away. I miss that. But I’d also miss eating. Anyway, I digress… I’ll try to keep up more often, starting with my review for Ben Affleck’s The Town. Enjoy.]

Step 1: Go, Ben! As the director/star/co-writer of the The Town, Ben Affleck crafts a compelling, tight-knit bank heist drama.

Step 2: Stick to what you know. Like he did with his directorial debut Gone Baby Gone, Affleck sets The Town in his hometown of Boston, specifically Charlestown, a rather on-other-side-of-the-tracks area reserved for some hardcore locals. The story centers on a group of childhood friends, who have grown up on the streets and now rob banks together in scary-looking masks. Their leader is Douglas MacRay (Affleck), a level-headed, probably too smart for his environs type of guy who inherited the “family business” from his imprisoned dad (Chris Cooper). What Doug really wants is to get out of dodge but so far hasn’t found the courage to leave.

Step 3: Don’t give that guy a gun. Doug’s best friend James (Jeremy Renner) is the kind of hot-headed, trigger happy individual you feel uncomfortable watching because you don’t know what kind of crazy, violent thing he’ll do next (think Joe Pesci, only cuter). This kind of behavior includes spontaneously taking pretty bank manager Claire (Rebecca Hall) hostage when a job starts to get a little too hairy. Doug calm things down before it turns bad, and they let Claire go, but James finds out she lives in their neighborhood – an outsider, no less – and begins to worry she might spell trouble for them. Meaning, he kinda wants to take her out of the picture. Doug isn’t having any of THAT but says he’ll follow her. He does, they meet and guess what? The sparks of romance fly. Natch. Meanwhile, the local FBI office, headed by Agent Frawley (Jon Hamm), is already onto the band of thieves but have yet been able to pin anything on them directly, which royally pisses Frawley off.

Step 4: Keep it simple. Actually, The Town is a fairly paint-by-numbers one-last-heist drama, with beats and plot points you can see coming a mile off. But one of the things that makes it so intriguing is the performances. Affleck doesn’t really need to stretch as the actor, playing it close to the vest, but he also does it with a nice subtlety. He and Hall (Vicky Cristina Barcelona) have a good rapport, even if Hall is mostly relegated to playing the unsuspecting love interest. Hamm, too, is a little wasted as the typical hapless FBI agent trying to catch his man but it’s nice to see him try on another character besides Mad Men‘s dapper Don Draper. Of course, The Hurt Locker‘s Renner shines as James, effectively chewing it up, both heartbreaking and scary at the same time. But the honest-to-god real surprise is Gossip Girl‘s Blake Lively, as James’ sister and Doug’s on-again, off-again paramour. She sheds any soapy TV pretensions, pours on the thick Boston accent and brings it. You won’t recognize her.

Step 5: Find your niche. The other worthwhile factor to The Town is Affleck as director. Sure, he has gone from matinee idol to box office poison, but he has also paid attention along the way and LEARNED. After big stinkers Gigli and Jersey Girl in 2004, he took a break and re-examined his career, coming back in 2006 with a small but memorable turn in Hollywoodland. Then he really nailed it with his directing debut, the excellent Gone Baby Gone in 2007. I truly admire an entertainer who knows when he has hit the skids and decides to do things differently, to switch things up. His He’s Just Not That Into You co-star Jennifer Aniston should take note. Needless to say, The Town just proves his weight in gold behind the camera. Affleck isn’t indulgent, economizes his shots, doesn’t let things run on and on, doesn’t try to be an auteur — but clearly feels completely comfortable with his surroundings.

Level of difficulty in watching The Town: None. It’s a keeper.