Monthly Archive for May, 2009

How to Make Cash: On the “Up” and Up

As happily predicted, Pixar’s Up won the box office this weekend with a heavenly $68.2 million. Some are calling it the best movie of 2009, which is exactly what they said about Wall-E last year. I suppose it’s the norm with any Pixar movie; the quality movies they produce year after year simply never disappoint, even if they never go on to win Best Picture at the Academy Awards.

Here’s the top five this weekend:

1. NEW! Up (Buena Vista) – $68.2 mil; 3,766 theaters; $18,109 PT
2. Night at the Museum: Battle of the Smithsonian (Fox) – $25.5 mil; 4,101 theaters; $6,218 PT; $105.2 mil cume
3. NEW! Drag Me to Hell (Universal) – $16.6 mil; 2,508 theaters; $6,630 PT
4. Terminator Salvation (WB) – $16.1 mil; 3,602 theaters; $4,481 PT; $90.6 mil cume
5. Star Trek (Paramount) – $12.8 mil; 3,507 theaters; $3,650 PT; $209.5 mil cume

I thought Night at the Museum 2 would have made more in its second week, but I guess Up pretty much stole away the same audience, so makes sense it would fall behind. Meanwhile, the critically lauded Drag Me to Hell (welcome back to horror, Sam Raimi!) held its own in third place and should have a nice little run over the summer.

Star Trek is still booming, having crossed the $200 mil mark, but there’s talk about how we might not have the same smash summer we did last year, when films such as Iron Man, Indiana Jones and the Kingdom of the Crystal Skull and The Dark Knight made HUGE money (over $300 mil each). Sure, movies are still proving to be a relief in these tough economic times, but none of the big guns so far this summer – Wolverine, Star Trek, Angels and Demons, Terminator and Night at the Museum – have made more than $90 mil their opening weekend. And as far as big moneymakers, all that’s really left this summer is Transformers: Revenge of the Fallen and Harry Potter and the Half-Blood Prince. I don’t really care about all the money stuff – I’m just having a good time this summer. Aside from maybe Wolverine, for me, there hasn’t been a major disappointment yet.

This coming weekend is a little tougher to predict, being that it’s a battle between the balls-out comedies Land of the Lost and The Hangover. You know how I feel about LOTL already, but let me tell you, I’ve already seen The Hangover and it’s DAMN funny. So, it’s up in the air for me on which will do better.

How to Watch: “Drag Me to Hell”

6a00d8341bf6c153ef011168fbb671970c-800wiStep 1: Drag yourself to go see this campy, over-the-top horror flick from the skewed brain of Sam Raimi. You won’t regret it.

Step 2: Take this bit of advice: Don’t steal from, shame or piss off a gypsy in any way. Remember this and you should be able to get through life without being cursed and dragged into hell by a demon. Unfortunately for Christine Brown (Alison Lohman), a pretty loan officer working at a small bank, she isn’t offered this advice and thus seals her doom when she denies this old gypsy lady an extension on her mortage payments. Oh yes, all hell does indeed break loose.

Step 3: If a gypsy DOES curse you, fight back! Lohman (Match Men) does a nice job as our tortured soul, who is in turns petrified, bewildered and kick ass when the situation calls for it. Like when she beats the crap out of the old woman, Mrs. Ganush, in her car. Played with relish by Lorna Raver, you gotta wonder if the actress minded looking so horrible, with decaying flesh, rotting fake teeth and hawking yellowish green goo out her mouth. Yuck. Justin Long plays Christine’s hapless boyfriend, who never quite believes that she has only three days of demon torture before being dragged to … well, you know. He finally gets the picture but by then it’s far too late. Christine has some allies, though, namely a psychic (Dileep Rao) and a medium (Adriana Barraza), who try to excise the curse. No such luck.

Step 4: Watch Sam Raimi get his horror groove back. As a director, he has spent many of the last formative years directing all three Spider-Mans, but I think he had been itching to make another scary flick in the vein of his Army of Darkness and infamous Evil Dead series. His style is to put the fun back into the horror genre, with B-movie gross out scenes and laugh-out-loud moments. It’s such a nice change of pace from otherwise torturous movies such as Saw, Hostel and the like.

Level of difficulty in watching Drag Me to Hell: Easy, but through covered eyes. It’ll make you laugh and jump, all at the same time.

How to Watch: “Up”

103r-22Step 1: Hold onto your seats as Pixar takes you on yet another delightful adventure Up, up and away.

Step 2: Truly marvel Pixar’s innate ability to tell a wonderful story again and again and again. Up comes from the brilliant mind of Bob Peterson, a Pixar veteran who also wrote the endearing Finding Nemo. He mixes the bittersweet, excitement and hilarity all into one compelling tale of Carl — a man who, at 78-years-old, decides to go on an adventure of a lifetime by tying several thousand balloons to his house and floating to South America. It had always been a lifelong dream of his and his dearly departed wife to travel there – and now he’s finally doing it before it’s too late. Except Carl gets an unexpected stowaway in the form of an 8-year-old wilderness explorer named Russell, who is desperate to get his final badge: helping an elderly person in need. Not like Carl needs any help.

Step 3: Also be wowed by the visuals once again. I mean, we almost take Pixar’s innovative animation for granted at this point. But once Carl and Russell make it to South America, to this weirdly remote place with lush tropical forests, expansive canyons with gorgeous cascading waterfalls – and a giant, colorful bird with a penchant for chocolate bars – things get very imaginative. There’s also a bitter once famous adventurer there, trying to reclaim his former glory by hunting the bird down. He has his pack of dogs, with collars that allow them to talk, do all the dirty work – except one dog, Dug, is just too nice a mutt and latches onto Carl and Russell instead. Yes, Carl’s eyes roll a lot in the movie.

Step 4: Realize you might be getting a little tired of the whole 3D thing. Those glasses are just not the most comfortable and honestly, with a Pixar movie, is the technology really necessary?

Step 5: A-list vocal ensemble not required. Although Pixar has employed a few top-tiered actors to voice their characters through the years (Tom Hanks, Tim Allen, Holly Hunter, Ellen DeGeneres, to name a few), they’ve never made that a priority as some of the other animated films have. No, I truly believe the Pixar folk look for the best person to bring their characters to life, regardless of status. Last year’s Wall-E hardly had any talking at all, for heaven’s sakes. So with Up, veteran Ed Asner is absolutely spot-on as Carl, while newcomer Jordan Nagai is annoyingly adorable as the persistent Russell. Another veteran actor, Christopher Plummer, gives voice to the hardened explorer Charles Muntz – and writer/co-director Peterson multitasks as the faithful Dug.

Level of difficulty in watching Up: Easy peasy. Those Pixar guys never get it wrong.

How to Cast: Brad Pitt

brad7_gallery__523x352Pitt might take on Steve McQueen in a biopic. Hmmm. Cinematical reports the former Benjamin Button is in negotiations to play the rugged, charismatic action star but questions whether it would work since Pitt is almost too pretty and maybe not as macho and coolly detached as McQueen was. I think Pitt could do it, but my question is why would he want to? The guy is already so well established on his own that playing someone as iconic as McQueen isn’t really the best move. You’d almost want to go with someone relatively new – like Chris Pine or something. When James Franco played James Dean in that TV movie, it worked because no one really knew Franco at the time (and he looked eerily like Dean). Apparently, McQueen’s widow wants Daniel Craig to play her late husband. I could understand that, but he’s already James Bond to me.

In other casting news: Will Smith might use his effusive personality to play a real-life hero in a movie about Hurricane Katrina. Once again Cinematical reports, Smith’s production company bought the rights to the story of John “The Can Man” Keller, an ex-Marine who kept a couple hundred people in his building – many elderly and/or handicapped – safe after the storm hit New Orleans, documenting it with video and photos. Sure, there were a few heroes during that awful time, but as Keller told the Times-Picayune in 2007, “There were other people rescuing people. But they didn’t hot-wire boats, hot-wire cars, swim to the grocery store, come back with food, cook for all those people, organize them, get the thugs off them.” At this point, Smith’s only involvement in the film, titled The American Can, is as an executive producer, but you got to figure he’ll play Keller. Sounds like his kind of role.

Now that Guy Ritchie has divorced Madonna, who I thought was stifling him creatively, the British director is on a role. Last year’s RocknRolla was a return to his fast-paced gangster style, a real hoot, and he has got his vision of Sherlock Holmes, starring Robert Downey Jr., coming up in December. According to UK paper The Sun, Ritchie is also reportedly eyeing a remake of Guys and Dolls. It’s all talk now, but oh boy, how would THAT work through Ritchie’s skewed Cockney brain? Wait, maybe Brad Pitt should petition for this film instead, to play Nathan Detroit in the same vein as he played Mickey O’Neil in Snatch. Imagine the possibilities.

How to Remember Your Favorite Movie Lines

That’s easy for me. I have this inane ability to remember all kinds of movie quotes, which I have, in turn, passed on to my two children. Right now, this Night at the Museum line is currently making the rounds in our household: “I’ll tell you what’s a matter of life or death, that beautiful lady over there. Hey baby, check out the gun show over here. Boom! Bam! Firepower!” Check out this YouTube video, which shows clips of 100 best movie lines in 200 seconds:

I think they hit it about 90 percent of the time, and they probably also had to pick short lines, in order to make the timeline. The Jaws line “We need a bigger boat” is one of my all-time favs, as is “Get away from her, you BITCH!” from Aliens. But seriously, it’s impossible to pick 100 BEST movie lines ever. There are just too many. I would have probably added:

“You’re a wizard, Harry.” — Harry Potter and the Sorcerer’s Stone

“Fasten your seat belts, it’s going to be a bumpy night.” — All About Eve

“I’m walking here!” — Midnight Cowboy

“I want more life, f**ker.” — Blade Runner

“Mother? Mother?” — Bambi

I really could go on forever. What are some of your favorite lines?

How to Make Cash: Stiller Crushes “Terminator”

natm2-258-2Comedy wins again. With a four-day total of $70 million, Ben Stiller’s comedy Night at the Museum: Battle of the Smithsonian soundly beat Terminator Salvation’s $53.8 million haul at the box office this Memorial Day weekend. Makes sense. NATM is the first family comedy to come out in awhile, and in these troubled times, moviegoers simply want to laugh at museum figures come to life, instead of watching machines squash humans in a bleak post-apocaplytic setting.

Here’s the top five for the four-day Memorial Day weekend:

1. NEW! Night at the Museum: Battle of the Smithsonian (Fox) – $70 mil; $17,090 per theater
2. NEW! Terminator Salvation (Warner Bros.) – $53.8 mil;  $15,248 PT; $67.1 mil cume (opened Thursday)
3. Star Trek (Paramount) – $29.4 mil; $7,254 PT; $191 cume  (wow, that’s some cume!)
4. Angels & Demons (Sony) – $27.7 mil; $7,854 PT; $87.8 cume
5. NEW! Dance Flick (Paramount) – $13.1 mil; $5,347 PT

Of course, Terminator Salvation also had a lot to live up to (and bad press to beat down) — what with jump starting a franchise many thought was DONE after Terminator: Rise of the Machines. And many of the critics were not on board this time around. I enjoyed the film for what it was, a decent action thriller, and thought if anyone could have played John Connor, Christian Bale was the best choice. But I also laughed my ass off at NATM, even though it fell into some sequel pitfalls. All in all, it was a good week for me – I’m easy.

Now, this coming weekend is a no brainer. Pixar’s Up should easily take the top spot, but it may just squeak by NATM, which should contine its momentum. Then there’s Sam Raimi’s return to horror with Drag Me to Hell. It is apparently, from what I heard, right along the lines of his ultra-hip horror series Evil Dead — so if you’re into that kind of thing, you should get excited. I’m not, but I will faithfully review it for my readers. Here’s the trailer:

How to Take “A Christmas Carol” Train Tour

Disney's 'A Christmas Carol' Train TourJust hop onboard! Right after I posted that Disney was staging a 40-city train tour to promote their holiday release A Christmas Carol in 3D, which kicked off May 22 in Los Angeles, I got an invitation to take the tour myself. Gotta love the perks of the job.

Heading downtown L.A. to where the train was stationed, I walked through the five-car virtual tour, which showed the making of Charles Dickens’ classic, visualized by animation innovator Robert Zemeckis, using his performance capture technology. In the first couple of cars, I saw the character designs of Jim Carrey as Scrooge through the years, as well as Colin Firth as Scrooge’s nephew Fred; Gary Oldman as Scrooge’s faithful clerk Bob Cratchit; and Robin Wright Penn as Scrooge’s long lost love Belle.

Disney's 'A Christmas Carol' Train TourAs well, there were monitors showing behind- the-scenes footage of the actors performing their roles in what looked like tripped out wet suits, with black dots all over their faces and wires going every which way. I swear Zemeckis came up with this technology just to torture his actors. There were also artifacts from the Charles Dickens Museum in London, including a first edition of A Christmas Carol and other letters he wrote. As a literature major, this particularly fascinated me.

The best part of the train tour itself was the interactive kiosks. Using Hewlett Packard TouchSmart PCs, I was able to explore Dickens’ London told through his **EXCLUSIVE** Jim Carrey at "Disney's A Christmas Carol" Train Tour Kick Off on May 21, 2009 at Los Angeles Union Station in Los Angeles, California.story, as well as morph my face into a character from the movie. It was kinda difficult to line up my eyes where I was supposed to, so in my picture I had my tongue sticking out from concentrating too hard. Lovely. I chose to morph with an image of Marley’s ghost since that was the only pic that didn’t show my tongue. You can even email the picture to yourself. I didn’t, though. Wonder if Jim Carrey emailed his pic, on the left there.

As I departed the train, I was ushered into a giant inflatable movie theater in which they showed a few scenes from the movie. Armed with the most high-tech 3D glasses I’d ever seen (wonder if they will be handing those out at the theaters when "Disney's A Christmas Carol" Train Tour Kick Off on May 21, 2009 at Los Angeles Union Station in Los Angeles, California.the movie opens), I watched Scrooge bah humbug his nephew Fred, after the later wished him a happy Christmas and then a scene in which Marley visits Scrooge to let him know he is in for a bumpy night. It all looked pretty damn cool. Even though I’ve seen A Christmas Carol a hundred times, this kind of animation technology will surely allow the story to stretch its imagination. Beware though — small kids (under 5, let’s say) might get a little scared by the imagery.

The whole Christmas-y feel to the tour (there’s even fake snow) was a little odd to experience in May, but I’d imagine by the time the train hits the Northeast in late fall, it’ll fit right in. Again, for details on when the train might be stopping in YOUR town, go to www.christmascaroltraintour.com.

Stay tuned to read what Jim Carrey had to say about playing another “Christmas hater” and working with Robert Zemeckis.

How to Watch: “Night at the Museum 2″

Night at the Museum: Battle of the SmithsonianStep 1: Think about how cool it would be if the exhibits in a museum actually came to life. I do, and I’m pretty sure Night at the Museum writers Thomas Lennon and Robert Ben Garant do, too.

Step 2: Then applaud Tom and Bob (or is it Bob Ben?) for getting it right a second time with NATM: Battle of the Smithsonian, albeit on a much grander scale this time around.

Step 3: Realize it might also be almost TOO grand. There’s a lot going on in this sequel. Not only does Larry Daley (Ben Stiller) have his old friends at the New York Natural History Museum — whom he has somewhat neglected since finally making a name for himself with his inventions — he also gets new friends when he has to go rescue the New York gang from the Smithsonian archives in Washington D.C. There’s Amelia Earhart (Amy Adams), General Custer (Bill Hader), as well as the giant statue of Abraham Lincoln, Rodan’s The Thinker sculpture, and several miniature bobble-headed Albert Einsteins, among others. Larry meets up with some bad historical guys, too, namely Kahmunrah (Hank Azaria), the meaner elder brother of Akmenrah (Rami Malek), who has “come BACK to LIFE!” to take over the world with his Army of the Underworld and elicits the help of Ivan the Terrible (Christopher Guest), Napoleon (Alain Chabat) and Al Capone (Jon Bernthal) to do it. Suffice to say, Larry has his hands full in this one.

Step 4: Be thankful it’s Stiller’s hands that are full. Much more confident this time around, his Larry knows how to handle the situation and not freak out like he did in the first NATM. He is the straight man that keeps the whole thing together, as the madness around him escalates. Except he still freaks out, a little. Adams has got “moxie” as Earhart, standing around with her hands on her hips, ready to take on the world. Except that spunk gets a little annoying. Hader as Custer is what the writers call the “anti-Teddy Roosevelt,” who has got the balls but does things all wrong. Except when he gets it right every once in awhile.

Step 5: Also be grateful Hank Azaria is in the movie. The guy is so underrated in my opinion. He not only plays the lispy Egyptian bully with aplomb, he also voices Abraham Lincoln (“Blah, blah, blah … I NEVER LIE!”) and The Thinker (“Look at the gun show over here. Boom! Boom! Firepower!”). Azaria most definitely provides the most laughs. Returnees Robin Williams, Steve Coogan and Owen Wilson don’t do a bad job, either. Oh, and see if you can guess who sings sweetly as the Cherubs.

Step 6: Refer to Step 1. Bringing museum artifacts, paintings, sculptures and exhibits to life is genius — and director Shawn Levy, taking the NATM reins for a second time, certainly has a handle on visualizing it. I think my favorite part in this sequel is seeing famous museum pieces — such as The Thinker, Dega’s ballerina sculpture and that great Life magazine V-Day photo of the American sailor kissing the nurse on the streets of New York — spring to life. And the whole sequence in the Smithsonian’s Air and Space Museum is way cool. Kids are going to eat it up.

Level of difficulty in watching Night at the Museum: Battle for the Smithsonian: Relatively easy. Maybe not as fresh and unique as the first NATM, the sequel has enough laugh-out-loud moments to enjoy.

How to Watch: “Terminator Salvation”

terminator1720Step 1: Reboot the system. Terminator Salvation proves the machines-against-man-raging-against-the-machines franchise is still alive and kicking. Kicking ASS, that is.

Step 2: Forget about the inconsistencies. A person could go crazy trying to figure out if Terminator Salvation follows the original Terminator timeline or is creating an alternate universe (which seems to be quite the rage these days in both film and TV). Who cares? Just be thrilled. Judgment Day has happened, the world has gone to shit and the big, bad machines are systematically hunting down the survivng humans. Only one man can stop them.

Step 3: Hail the new leader: Christian Bale as John Connor. For all his intensity onscreen – and apparently off – Bale adds a certain level of perfection to everything he does and breathes some welcome life into the  Connor character, leader of the resistance fighters. Bale has some help, though, in the form of Aussie actor Sam Worthington as the mysterious Marcus Wright. A former death row convict, Marcus wakes up to find everything has been blown apart, and he has no recollection of how he got where he is. He then has to play the reluctant hero when he meets the teenaged Kyle Reese, played with bravado by Anton Yelchin (much less annoying as Reese than he was as Chekov in Star Trek), and ends up going on a rescue mission to free the kid from Skynet central. Connor also gets wind of it, and knowing Reese will be his dad in the future (see, there goes those crazy timeline thoughts again), he has to put his trust in the suspicious Marcus in hopes he will succeed. Worthington easily holds his own in the Bale intensity department.

Step 4: Look for a Schwarzenegger cameo – is it real or is it Memorex? And wonder when Bryce Dallas Howard, wasted as Connor’s wife Kate, will get a chance to live up to her potential she showed in The Village.

Step 5: Say what you will about director McG, but the man rises to the occasion with Terminator Salvation. I was skeptical, since the guy’s biggest claim to fame were the two Charlie’s Angels flicks, but McG has clearly thought it through and has studied the techinques of James Cameron, the mastermind behind the first two Terminators. This Salvation is chock full of heart-racing action sequences, set against a very bleak background. And he pays homage to the franchise in subtle but recognizable ways, similar to what J.J. Abrams does in Star Trek, while creating his own vision. Hell, he even lived through the Bale maelstorm. Kudos, McG – now get a REAL name.

Level of difficulty in watching Terminator Salvation: Moderately easy. Better than Rise of the Machines but not quite as good as T2 (nothing ever can top that one), Salvation provides a satisfying coda to the franchise. At least, it should be the end of it, where else can they go?

How to Cast: George Clooney

jtm-029900As a guy who stares at goats. Seriously, I kid you not  — Clooney is starring in a movie called The Men Who Stare at Goats. Variety reports it’s about a journalist (Ewan MacGregor) who stumbles upon an ex-member (Clooney) of a secret U.S. Army unit that used paranormal tactics. So am I to presume goats have the special powers? I mean, that’s some title. It’s right up there with The Captain and the Shark, the title to a movie I once heard was being made about the U.S.S. Indianapolis. Towards the end of WWII, they delivered the bomb to be dropped on Hiroshima but was then sunk by a Japanese torpedo, leaving hundreds of men in the water for sharks to feed on. You know, the story Quint tells in Jaws. But The Men Who Stare at Goats is better – I’d go see that movie even if I didn’t know the plot.

In other casting news: Steven Spielberg is going to tackle a biopic on Martin Luther King Jr. He got the rights from King’s estate and is putting the deal together, Variety reports. I’m smelling Oscars already. But who to play the iconic slain leader of the Civil Rights movement? Denzel Washington is too old – and he already played Malcolm X. Hmmm, maybe Chiwetel Ejofor, the fabulous British character actor from Children of Men, Inside Man, American Gangster. Just a thought.

We have ourselves a new Thor, the Viking God of thunder – and it’s the dude who played Kirk’s father in Star Trek, Chris Hemsworth. According to the blogosphere, this relative unknown might be risky choice for Marvel’s big-budgeted, live-action film. But then again, sometimes unknowns work (Christopher Reeve as Superman perhaps?) Hey, Robert Downey Jr. can’t play ALL the comic-book heroes.

And finally we have Rinko Kikuchi, so hilarious in Brothers Bloom, going back to playing devastating in Norwegian Wood, a film based on the novel named after the Beatles song. Set in 1960s Japan, it centers on a man who falls in love with his best friend’s girlfriend (Kikuchi) after the friend kills himself. But when the girl has to go to the psych ward to work through the pain, the guy falls for another girl who is far more upbeat and is then torn between the two. Sounds sad and poetic – and if they keep the camera on Kikuchi’s exquisite face, the film will work. I’ll never forget her as the deaf girl in Babel.